Caricatures
I learned about caricatures from Frank Kelly Freas, that great Mad Magazine cover artist who populated my generation with the ever grinning Alfred E. Newman. The technique here is mainly pastels, colored pencils and oil glazes, a method I learned from the celebrated Spanish Surrealist Gervasio Gallardo, who explained it to me while he was working on a rush assignment for a Time Magazine cover in New York City. I taught it to my students in my college classes, yet the complexity of the process was soon put out to pasture and replaced with PhotoShop and other digital painting applications.
"The Bluff" Oil, pastels, & colored pencils on illustration board.
James Dean. Oil, pastels, & colored pencils on illustration board.
"Mick Jagger " Pastel, Colored Pencils & Oil Glazes on Illustration Board. .A demonstration drawing for students at the Rocky Mountain College of Art + Design. 2021.
Let Me Explain. Pastels, Colored Pencils, Oil Glazes. 1995.
Who Remembers Chaplin? 2006. Demonstration for Illustration Media class. Pastel, Colored Pencils and Oil Glazes on Illustration Board.
Charles Laughton. 2003. Acrylic grissaile & Oil Glazes.
Gear Head Punk. 2017. Pastel, Colored Pencils, & Oil Glazes.
Churchill. Pastel, Acrylic Grissale, Colored Pencils, Oil Glazes on Illustration Board. Demonstration, RMCAD. 2014.
Keith Richards. Oil on illustration board, with Crystal Clear. Demonstration illustration. RMCAD. 2002.
American Gothic Romance. Oil on gessoed Masonite. A satirical look a tPaperback Romance Cover art, this is a response to the sexy cliche ridden, paperback novels, with an eye on Gothic painting techniques, with apologies to Vasari and Denman Ross.
"Consider the Lobster" An essay by David Foster Wallace. A journalist visits the Maine Lobster Festival and asks the question: Do lobsters suffer a cruel and barbaric end when thrown into the boiling post? Mixed Oil, pastels & Colored Pencil method. Cold Press Illustration board.